Some time ago I published my first book, “Pop Cult: Religion and Popular Music”. It’s still available, and a good read, if I do say so myself.
I recently wrote a chapter of the book Pop Pagans: Paganism and Popular Music. My chapter is “Paganism, Popular Music and Stonehenge”. Available at good bookshops!
I am a member of the editorial board of the IASPM Journal (the journal of the International Association for the Study of Popular Music). I recently acted as Guest Editor for a special issue focused on Popular Music Studies in the 21st century. As well as editing the volume I wrote an extended editorial. You can find it at:
Rupert Till’s research on the acoustics of Stonehenge continues to be used by other researchers and media channels. Most recently Dr. Till was interviewed by the BBC television programme the sky at night as they presented the show from Stonehenge on the summer solstice. As well as discussing sound at the sight, the programme made extensive use of digital models of Stonehenge generated as a byproduct of his research. Working with staff from art and design, computing and engineering, and most recently with researcher John Fillwalk at Ball University in the US he has created increasingly accurate digital models of the site in order to do more accurate acoustic modelling. Dr. Fillwalk’s model aims to allow the sun and moon positions to be accurately modelled.
As well as being used by the sky at night, This research has been used by the History Channel, BBC radio 4, the New Scientist, the iPad/iPhone app ‘Stonehenge Experience’, and it has featured on Apple’s recent worldwide advertising campaign.
The sky at night can be seen at 7.30pm on bbc 4 on Thursday 11 July on UK television.
Clips featuring dr. Till and his work can be seen at:
These clips may not be available outside the uk, and we will try to put clips on this website soon.
Dr. Till is currently planning a research trip to northern Spain to explore the relationships between cave paintings and acoustics, with paintings that are up to 40,000 years old. He as also just started work on the European music archaeology project, an EU culture programme funded 5 year project.
Dr. Rupert Tills work with the European Music Archaeology Project has been funded through the EU Culture Programme receiving a 5 year €2 million grant, with about 8 partners from different countries involved. Dr Till says: ‘I will be setting up a music archaeology record label, and recording perhaps Greek instruments in a temple, Roman instruments at Pompeii’s theatre or prehistoric instruments in chamber tombs. I will also be creating multimedia exhibits for a touring exhibition, which will travel across Europe, for example to Rome, Berlin, France, Portugal, Spain etc. EMAP will develop a free-to-enter multimedia touring exhibition and accompanying programme of workshops and performances which will visit ten venues in eight countries between May 2015 and November 2016. The exhibition covers the origins and evolution of European music from Prehistory to still-surviving music traditions and will be supported by a website, TV documentary, recordings and other activities.
The programme will create accurate reconstructions and working models of ancient instruments computer models of selected archaeological sites, their acoustics and soundscapes, outreach media such as books, CDs and videos, workshops and performances and a multimedia exhibition. The presentation will be designed to appeal to the general public, using the latest presentational techniques and the accompanying support materials will be presented at three different levels: adult, school-age and pre-school. The adult material will be designed to bring together generations, empowering older citizens help the younger ones to explore the musical experiences of their parents’ and grandparents’ generation and understand their experiences of shared European culture.
A Trust will be set up to continue the work of the project into the future. It will establish a lasting flagship for ancient European music culture and the development of a supra-national sense of citizenship through a deeper awareness of Europe’s interconnected past, achieved through the power of sound, even after the end of the funded project.’
Submissions should be made to: Conference2014@OTSF.org
The New Scientist ran an article on the app I was involved in developing with multiimedia company Ribui.